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GOOD TO THE LAST BITE

Harlequin Blaze (sequel to THE ULTIMATE BITE), October, 2008, written as Crystal Green

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FALLING FOR THE LONE WOLF

Book Three in the Special Edition Suds Club miniseries, October, 2008, written as Crystal Green

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Articles by Crystal Green
 
THERE GOES THE BRIDE by Crystal Green.

there goes the bride

Silhouette Special Edition #1522
Kane's Crossing

February 2003
ISBN: 037324522X

Read an excerpt
Book Club questions

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Stop That Bride!

Instead of heading down the aisle toward a man she didn’t love, ex-beauty queen Daisy Cox hightailed it out of the church, landing at the feet of brooding loner Rick Shane. When Rick begrudgingly helped Daisy flee Kane’s Crossing and her powerful groom-not-to-be in his private plane, neither one of them expected passions to ignite. Yet once they did, both tried to deny it. But maybe Rick could make room for Daisy in his emotionally bereft life, and maybe Daisy would actually walk all the way down the aisle one of these days…

     
  Read an excerpt from THE BLACK SHEEP HEIR  
 

Rick Shane thought he was losing his mind. Again.

He’d been standing in a dark corner for about a half hour now, doing his best to distance himself from the revelry of his niece’s seventh birthday party. The last thing he expected to find as he stared out the bakery window was a buxom, blond bride sprinting down Main Street, Cinderella dress hiked over her knees to reveal shapely white-stockinged calves. The part he liked best was when she’d skidded to a halt, her ample breasts all but spilling out of her neckline. Rick liked that part a whole lot.

Then he realized who this bride was.

The satin dream burst through the door, welcome bells jingling over the obnoxiously joyful music. She seemed out of place among his jeans-and-leather clad relatives and friends.

Behind the service counter, Nick Cassidy snapped off the stereo system as everyone else stared at the bride.

She straightened, and Rick grinned as he recognized the stance from high school. He’d always gotten a good rise out of Daisy Cox’s feistiness.

“Excuse me,” she said, breathless. “May I hide behind your counter?”

Meg Cassidy guided her wobbly-legged twin son and daughter to her husband, Nick. Unfazed, she nodded. “Certainly.”

“Thank you.” Daisy Cox rushed behind the Formica structure, leaving the party in stunned, statue stillness.

Rick shook his head and laughed to himself. “Only in Kane’s Crossing,” he muttered.

His brother, Matthew, slumped in a nearby booth and kicked a cowboy-booted foot over a knee. Their friend, Sheriff Sam Reno, sat across from him. Both of them were biting back their own smiles.

As the rest of the partygoers watched, Daisy Cox disappeared behind the counter, leaving a trail of white satin as she tucked herself away. The material peeked around the corner, a dead giveaway to her location.

Rick shook his head. This was definitely the topper to his day. Not only was he surrounded by pregnant women--both Meg Cassidy’s and Ashlyn Reno’s waistlines were starting to pooch, and his own sister-in-law, Rachel Shane, was expecting, too--but now he had to add a bride to the list of love-is-in-the-air reminders. All these hearts and flowers were making him downright discomfited.

His younger step-sister, Lacey, pursed her lip-glossed mouth, darting a glance from Daisy’s satin to Rick. Nice. He knew the look. It meant that she was about to tell him to get off his lackadaisical rear end and do something.

As she approached, Rick couldn’t help prefacing her baby-sister bossiness with a zing of sarcasm. “Yes, your Flashdance-ness?”

Lacey adjusted her off-the-shoulder sweatshirt and frowned at him. Hell, he couldn’t help it. It was too much of a temptation to poke fun at her ever-changing wardrobe.

“Rick, you were in the same high school class as Daisy Cox was.”

He pretended to turn the matter over in his mind. After a sufficiently maddening pause, he said, “I guess I was.”

“Then go talk to her.”

Rick could feel his sibling, Matthew, as well as the brood brothers, Nick and Sheriff Sam, staring at him. No help there.

He said, “We weren’t bosom buddies, Lacey.” Though the thought of getting to know the bosom part of Daisy Cox didn’t seem all that bad of an idea.

Lacey shot him the look of instant death, the kind only a sister could get away with. “Rick Shane, you go make her feel welcome.”

Meg Cassidy and Ashlyn Reno had taken on expectant expressions, too. Even Rachel, the sister-in-law who’d always treated him like an important part of the family--

which he knew wasn’t the case--started getting a disappointed tilt to her lips. That did it. That, and the curious glances of his niece, Tamela, and little Taggert Reno, the adopted son of Ashlyn and Sheriff Sam.

Jeez, he couldn’t look like a jerk in front of the kids.

He aimed a lethargic shrug at Lacey, emerged from his dark corner and ambled toward the bridal satin peeking out from behind the counter. Someone had the presence of mind to turn on the music again so Fats Domino could softly croon over Rick’s attempts at friendliness.

He leaned against the wall, arms crossed, peering down at the bride beneath the Formica. She’d drawn her knees to her chest, resting a chin on the gleaming material of her gown. Her tiara and veil had gone lopsided, almost lost in a swirl of blond ringlets.

A protective urge tugged at his heart, and he wondered why she’d been running down the tiny streets of Kane’s Crossing in a wedding dress. This was a quirky town but, come on.

He thought back to high school, to a girl who’d rarely attended classes because she’d been traveling the state for her beauty pageants. He’d always kind of had the hots for her, had always wondered if a beautiful goody-goody girl like Daisy Cox would even give him the time of day.

But he’d never found out. After graduation he’d run off to a far-away land and lost himself, leaving no room for idiotic fancies.

Daisy’s voice brought him back to the moment. “I remember you. Rick Shane, right?”

The fact that she recalled who he was sent a jolt of memory, of lonely hunger through his veins. He ignored the emotion, half-nodding to acknowledge her words.

“Daisy Cox.” He drawled out her name, stretching it between them with the slow ease of a man slipping satin from a woman’s shoulders. He liked the sound of it, the impossibility of it.

Her blue eyes widened for the slightest second, then narrowed a bit. There. That was a little more familiar. She’d worn the same expression every time he’d leaned against the Spencer High lockers and ushered her down the hall with a suggestive grin. She’d been hard to get, the girl voted most likely to be too good for a guy like Rick Shane. It had fed his fantasies all the more.

But that was before his life had changed. Before he’d been forced into manhood in a little country on the other side of the world.

“Hey, Rick,” said his brother, Matthew. “We’re gonna have company in a few seconds. Maybe you could pretend that you’re having a conversation with something other than the counter.”

The hard-edges of a comeback curse lined Rick’s mouth, but he held it back. Leave it to Matthew to act superior.

Rachel, his sister-in-law, smiled at him, cushioning his temper. He stood away from the wall and bent to whip Daisy’s dress out of sight. Then, as Daisy scooted over, he hunkered beneath the counter just as the door bells tinkled.

Daisy gasped, probably from nerves. She shifted next to him, gathering her gown around her body as his arm pressed into hers. The contact felt nice, warm, soft, just like her spring-meadow perfume. Rick’s body heated just by breathing her in.

Mrs. Spindlebund’s voice creaked over the music. He could picture the elderly toothpick woman with her salt- and-pepper bunned hair and permanent sneer as she said, “Good afternoon,” to the party.

Everyone murmured a returned greeting. Daisy tilted her head, and a ringlet brushed Rick’s cheek. He couldn’t help thinking of the last time he’d felt a woman this close, breathing next to him, her hair tickling his skin. A twinge of longing shook him to the core, awakening a sleeping agony.

Mrs. Spindlebund continued. “I know you people are busy with important events,” there went that sneer during the word important, “but have you seen Daisy Cox?”

Rick could imagine his friends and relatives shrugging and tightening their smiles.

“Well.” Mrs. Spindlebund was, by now, probably fixing a glare on all present. “She couldn’t have disappeared.”

Rachel, who’d endured run-ins with the elderly gossip goddess in the past, had evidently come to the end of her rope. “Mrs. Spindlebund, we’ve been celebrating my daughter’s birthday. Daisy Cox would have no interest in this party.”

“Very well.” He could almost see the suspicion in Mrs. Spindlebund’s slitted eyes. “And, Rachel Shane, don’t think for one minute that Mr. Tarkin didn’t notice your absence from his wedding today. He’s your horse farm partner, after all.”

Nick Cassidy didn’t think much of nosy news hens, either. He asked, “Can you blame a family for choosing their own kin over business, Mrs. Spindlebund?”

The bells on the door sang out. The elderly woman must’ve opened it, preparing to leave. Daisy relaxed against Rick, and he fought the urge to slip an arm around her, reassuring her with his touch.

Cut it out, he told himself. You promised you’d never get close to anyone again.You can’t afford to let down another woman.

As usual, Mrs. Spindlebund had the last word. “You people think you’re above the rest of us. What you did to the Spencers was unconscionable. You won’t treat Mr. Tarkin the same way.”

Ashlyn Reno, a Spencer daughter who’d been disowned when her lawbreaking parents had left town, raised her own frosty voice. “Don’t let the door hit your bony bustle on the way out, Mrs. Spindlebund.”

After an emphatic “hmph,” the door clanged shut, leaving the faint aftermath of bells and the silence of an ended song.

Sheriff Reno’s voice filled the emptiness. “From my window view, it looks like the wedding guests are searching every building.” He paused. “Ms. Cox, you’re a wanted woman.”

Rick glanced at her, watching as her face took on a sundown-hued blush. Long ago, he had loved to get her flustered, loved to see her flush and tilt up her chin after snubbing him.

But now, her reddened skin was more than a sign of agitation. It was the prelude to tears.

As one rolled down her cheek, Rick forgot himself. He thumbed away a wet globule from her skin and asked, “What the hell do you think you’re doing?

     
  Book club questions  
  Book Club Questions for
There Goes the Bride
 
 

The following questions have been designed to enrich your reading experience for There Goes the Bride (SSE, Feb., 2003). The first set contains chapter by chapter questions. The second set is composed of overview questions that can be reflected upon at the end of the story. Each set has spoilers, so you may want to explore them after you’ve read the appropriate text. Also, if you’re discussing the book with other readers, using quotes and examples to support your opinion will help you delve more deeply into the themes and lessons of the story.

Chapter Questions

Chapter 1
Describe the dynamics of Daisy and Coral’s relationship. How do you think it affects Daisy’s decision to marry/not marry Peter Tarkin?

Chapter 2
What details cast Rick as the loner in his family? How do you think he became this way?

Chapter 3
How has Daisy’s weight gain influenced her relationship with Peter Tarkin as well as her self-image? How does she control food (and how does it control her?)?

Chapter 4
We all know young people—or adults—like Rick who embrace mediocrity instead of living up to their potential. Why do you think people choose to handle pressure in this manner? Are they avoiding something else, too?

Chapter 5
What inner conflicts are keeping Rick and Daisy from falling for each other? If you could give them advice, what would it be?

Chapter 6
How do you feel about beauty pageants? About children competing in pageants? If Daisy hadn’t competed, what would be different about her life?

Chapter 7
How does Rick feel about Daisy’s weight gain? Why doesn’t she believe his opinion?

Chapter 8
If you were Daisy, what would you do at this point? Keep running or return to Kane’s Crossing? Why?

Chapter 9
How has Daisy changed since the beginning of the story? How might these changes help her in the coming days when Rick returns?

Chapter 10
Rick decides not to run from his problems with his brother any more. How much responsibility do you think Matt shoulders for sending Rick to the Gulf? Should Matt still be held responsible for what he said to Rick?

Chapter 11
On pages 161-162, Daisy thinks, “…She wondered if she was trading one addiction for another, replacing food with the human touch, filling her hollow center with whatever worked.” Is she? Why/why not? What do you use to make yourself feel complete?

Chapter 12
Would you become involved with a person who seems emotionally unavailable? Why/why not?

Chapter 13
Do you think Daisy owes more loyalty to her sister or to Rick? Why?

Chapter 14
In order to assert her new sense of control, Daisy strikes a business arrangement with Peter Tarkin in the form of marriage. Is it “right” for her to use marriage in this way? What is the purpose of marriage? Should it always be about love?

Chapter 15
On page 237, Daisy is frustrated because “…she couldn’t even understand why someone would go into battle, knowing that they could be killed. How did you talk yourself into that? How did you survive it?” Put yourself in Rick’s place, then try to answer these questions. How would killing another person—even legally—affect you as a human being?

Overview Questions

  1. What is the symbolic significance of Rick’s “burying” Daisy’s wedding tiara next to his Silver Star medal?
  2. Do you know anyone who’s suffered from bulimia? Why do you think they’ve chosen to handle food/weight in this manner?
  3. One of the story’s themes concerns ugliness and beauty, both on the outside and within. What are some examples of this, and how do they fit into the big picture?
  4. Both Daisy and Rick have control issues. What are some examples for each character, and how do they affect the other person?
  5. On page 116, Daisy says, “We’re both running away from a lot of things, aren’t we? And I’m not just talking about my wedding. There’s something that’s trying to catch up with you, and you’re running for your life.” What is Rick running from exactly? Is Rick’s inner turmoil due to Clarice or something deeper? And how does the self-disgust that grew from Rick’s tragedy involve Daisy?
  6. Rick is rewarded for his efforts in the war. He’s called a “hero.” In your opinion, what is a “hero”? Does Rick fit the definition?
  7. In five years, will Rick and Daisy still be together? Why/why not?
     
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